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  All eyes were on me-and not in a good way. I was inundated with questions: "Who are these people that write reviews? How do titles get chosen for review? How are books judged? What exactly constitutes a 'starred review'?" Some answers were easier than others. I told them that critics, while anonymous at companies like Publishers Weekly, Kirkus Reviews and BlueInk Review, are highly knowledgeable in the categories they review. Editors at the respective companies pick releases to be reviewed from the numerous galleys and advanced reader copies (ARCs) that arrive in the mail every week, and from that stack assign books to their reviewers. Three-dimensional, interesting and identifiable characters bring emotional connectivity and intensity to the read. If your readers aren't emotionally invested in your characters, then the narrative impact of your story is inevitably going to be negatively impacted. Emotions wield power. If you can bring your readers to tears, make them laugh out loud or scare them to the point of checking under the bed, then you've succeeded on some level. Creating authentic characters to whom readers can relate is a solid achievement-but an obvious word of warning: Stay clear of clichés and stereotypes. Overused conventions-like the Chosen One in fantasy who is consistently a white male, or the emotionally damaged billionaire entrepreneur in erotic fiction who needs to sexually dominate his love interest-even if brilliantly rendered, will underwhelm and disappoint more than a few readers (and reviewers). Now, the reason I include an "and/or" between character development and plot intricacy is because, in some rare cases (particularly in mainstream thrillers), a novel with an impressively knotty storyline can still succeed with relatively cardboard characters. Which is why plot intricacy is key: Why read a novel where you can accurately predict what's going to happen after a few chapters? (I do that quite often. After reading the first chapter or two, I'll jot down a prediction in my notes. You'd be surprised how many times I've guessed the ending correctly.) I just finished reviewing a brilliant historical mystery for Publishers Weekly that was filled with so many plot twists I was left guessing until the last few pages. It doesn't matter if you're writing a fantasy or a thriller or a romance-the plot has to be intricate enough to keep your reader simultaneously engaged and a bit off balance.

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